What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. They delve into blues, letting Barber have a Dixieland trombone solo on "Frankie and Johnny," invite Dr. John to play some New Orleans on "Goin' Home" and "Good Morning Blues," haul out Jimmie Rodgers ' "Muleskinner Blues" and Leadbelly 's "Goodnight Irene," paying tribute to both country and folk. Colyer quit the group early in 1954, and Barber took over the leadership. This is a preliminary attempt at a chronological discography. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. Inspired by blues music and New Orleans jazz bands he heard on the radio, he resolved to learn the guitar, and bought his first at the age of fourteen. WebLonnie Donegan's Skiffle Group Backstairs Session A1: Midnight Special A2: New Burying Ground B1: It Takes A Worried Man B2: When The Sun Goes Down: Metronome Denmark: Ace In The Hole unissued LD9. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. The name stuck. He was the first British male singer with two US top 10 hits. His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. 3 Tops With Lonnie. Don't You Rock Me Daddy - O The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. by Bruce Eder. It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. Ron Bowden - Drums, Denny Wright - Guitars 1956 and More concert tours followed, along with a move from Florida to Spain. How Long How Long Blues 2016, Folk - Released by Bridge Pa Digital on 28 mei 2019, Pop - Released by Sanctuary Records on 12 dec. 2000, Pop - Released by Castle Communications on 1 jan. 1957, Pop - Released by Retro Music Box on 25 jun. utmx_section("Personal Footer"). Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Ive Got Rocks In My Bed. His taste in jazz went toward Louis Armstrong and Gene Krupa. Three years later he was the resident lead guitarist on producer Jack Goods groundbreaking TV show Boy Meets Girls. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. ), BBC Radio, London, April 18, 1955 "Jazz Club", BBC Radio, London, May 9, 1955 "Jazz Club", BBC Radio, London, (In The Evening) When The Sun Goes Down CD8, May 19, 1955 IBC Studios, London ("Backstairs Session"), Harmonica Blues (CB hca) Polygon unissued CD1, January 9, 1956 "Jazz Club", BBC Radio, London, January 11, 1956 IBC Studios, London ("Skiffle Session"), The Ballad Of Jesse James (DB vcl) Nixa NJE1017 CD1, ?? . His success at the time saw Donegan sent to the United States, where he appeared on television on both Perry Como Show and Paul Winchell Show. LONNIE DONEGAN DISCOGRAPHY compiled by Dave Moore, Cake Walkin Babies (instrum.) By 1980, he was making regular concert appearances again, and a new album with Barber followed. In 1949, he was drafted into the British Army. 2020, Rock - Released by Castle Communications on 1 sep. 2016, Folk - Released by Before 1962 Recordings on 17 sep. 2020, Rock - Released by Vantage Music on 4 okt. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. Decca dropped Donegan thereafter, but within a month he was at the Abbey Road Studios in London recording for EMI's Columbia label. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. By 1980, he was making regular concert appearances again, and a new album with Barber followed. The name "skiffle" was hung on this music as a way of referring to it on the group's posters. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music. 1 EP (Feb. 20, 1956 WebLonnie Donegan discography and songs: Music profile for Lonnie Donegan, born 29 April 1931. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. NOTE: He also wrote the song and first released it in 1959, to no success. Don't You Rock Me Daddy-O The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. Press control & F buttons together, put in song title or part of, then find. Two years later it became a hit in England, and it was re-released in the US, where it shot up to #5 on the charts. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. Pete Huggett - Bass, Strings 1958 Michael Row The Boat Ashore Carter's "Wabash Cannonball." Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. He was an actor and composer, known for. Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. In 1952, he formed the Tony Donegan Jazzband, which played around London. On 28 June 1952 at the Royal Festival Hall they opened for the blues musician Lonnie Johnson. Donegan adopted his first name as a tribute. He used the name at a concert at the Royal Albert Hall on 2 June 1952. Some of the songs from the original Showcase album do show a certain confidence and assertiveness seeping in, moving the music in more of a slick, popular direction. Lonnie Donegan | Discography | Discogs His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954. Donegan's attempt at a recording comeback late in the '60s was unsuccessful, but in 1974, a new boomlet for skiffle music in Germany brought him on tour and into the studio anew, and the following year he and Chris Barber toured together and recorded a new long-player, The Great Re-Union Album. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." For the next six years, Lonnie spent 335 weeks on the Official Singles chart. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. Have A Drink On Me, Pat Halcox - Keyboards, Vocals 1954 The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. 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